Ni se imaginan el asco que me da el siguiente comentario:

"You could argue that Amy only broke because Ms Dynamite did first. What made us sign Duffy was her talent." Her talent and, presumably, the fact that there's an audience out there who consider themselves discerning and moderately hip, which puts artists like her right on their radar. Thirtysomethings who watch Later with Jools Holland and enjoy quality pop - but wouldn't be caught dead buying a Dido album - can embrace these singers in the knowledge that, while their music may not push any sonic or lyrical boundaries, they won't be embarrassed to own it. If it's what some critics deem MOR, at least it's five-star MOR”.

¿Por cierto hay alguna diferencia (en el posible público comprador) con el último de Feist, Wilco, Marlango o Radiohead?